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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

COPYRIGHT

Answers to artists' most-asked copyright questions.
ARTIST'S MAGAZINE Jan 1991 (v.8#1) pg. 20

Suggestions on how to protect freelance artwork from unauthorized use by a client.
ARTIST'S MAGAZINE Apr 1991 (v.8#4) pg. 20

General guidelines for artists on contracts and copyrights.
ARTIST'S MAGAZINE Feb 1992 (v.9#2) pg. 24

Who owns reproductions? Ruling from the U.S. Copyright Office and its impact on art reproductions summarized.
ARTIST'S MAGAZINE May 1993 (v.10#5) pg. 22

Copyright clarifications. U.S. Copyright Office explains its position on the controversy over ownership of reproductions.
ARTIST'S MAGAZINE Oct 1993 (v.10#10) pg. 25

Reproduction rights. A look at what's at stake in the debate over copyrights to art reproductions.
ARTIST'S MAGAZINE Nov 1993 (v.10#11) pg. 22

Coyprights for creative partners. What you should know about copyright before working with a partner.
ARTIST'S MAGAZINE Aug 1997 (v.14#8) pg. 20

An easy-to-follow legal guide to protecting your art through copyright.
ARTIST'S MAGAZINE Oct 1998 (v.15#10) pg. 64

When it's OK to copy. A handy checklist to make sure you're not using copyrighted images in your artwork.
ARTIST'S MAGAZINE Nov 1998 (v.15#11) pg. 55

How and why to copyright photographs or collections of photographs.
CAMERA 35 Jul 1977 (v.21#6) pg. 61

How the new copyright law affects photographers who sell their time or photographs for money.
CAMERA 35 Oct 1978 (v.23#9) pg. 18

Information on copyrights for the hobby carver.
CHIP CHATS Jul-Aug 1993 (v.40#4) pg. 68

Advice on protecting (copyrighting) your cloth doll patterns.
CLOTH DOLL Fall 1990 (v.8#1) pg. 38

Using copyright patterns for profit. Straightforward answers to some hard questions.
CRAFTS Sep 1991 (v.14#9) pg. 8

How copyrights, patents and trademarks differ and when each should be used to protect craft ideas.
CRAFTS Mar 1993 (v.16#3) pg. 10

Copyright law for photographers. Beginning a series concerning the implications of the 1976 Copyright Revision Act and other issues. Part 1. Video recording.
DARKROOM & CREATIVE CAMERA TECHNIQUES May-Jun 1986 (v.7#3) pg. 34

Facts the photographer should know about using copyright to protect his work and himself.
DARKROOM PHOTOGRAPHY May-Jun 1980 (v.2#3) pg. 72

Copyright basics for decorative artists. A definition of copyright, how to protect your work, how much inspiration can a artist legally take from an image, and explanations of "public domain" and "fair use."
DECORATIVE ARTIST'S WORKBOOK Oct 1999 (v.26#5) pg. 8

Woodworkers and copyright. How to copyright wooden artistic work and tips on protecting your copyright.
FINE WOODWORKING #22 May-Jun 1980 pg. 78

Changes in the British copyright laws and their implications for photographers.
INDUSTRIAL PHOTOGRAPHY Nov 1989 (v.38#11) pg. 17

Copyright law for photographers. Part 1.
INDUSTRIAL PHOTOGRAPHY Jan 1990 (v.39#1) pg. 44

Copyright law for photographers. Part 2.
INDUSTRIAL PHOTOGRAPHY Feb 1990 (v.39#2) pg. 16

How to prove ownership of copyrighted computer programs by inserting special instructions into the program.
KILOBAUD MICROCOMPUTING #41 May 1980 pg. 197

Design right. Ways to get legal protection for jewelry design. Copyright registration. Proving copyright infringement. Alternatives to copyright (design patents and trademark protection). Filing the necessary forms to secure copyright.
LAPIDARY JOURNAL Apr 1997 (v.51#1) pg. 49, 90

How the new copyright law affects motion pictures. Tips on securing copyright.
PHOTOGRAPHIC Nov 1978 (v.7#7) pg. 19

A photographer's rights under the copyright laws. Part 1. Your legal rights and the steps you must take to protect them.
PHOTOGRAPHIC Sep 1987 (v.16#5) pg. 44

A photographer's rights under the copyright laws. Part 2. Work for hire.
PHOTOGRAPHIC Oct 1987 (v.16#6) pg. 64

Holes in the copyright law. How "work-for-hire" undermines photographers' rights to their photos. Tips on protecting those rights.
PHOTOMETHODS May 1987 (v.30#5) pg. 34

Rights of photographers under the 1976 Copyright Act are discussed.
PHOTOMETHODS Jul 1988 (v.31#7) pg. 4

A look at the controversy surrounding the "work-made-for-hire" exception found in the 1976 Copyright Act and its implications for photographers.
PHOTOMETHODS Sep 1988 (v.31#9) pg. 4

A look at the U.S. District Court ruling on photographic copyrights and the reproduction of copyrighted portrait photographs by anyone other than the photographer.
PHOTOMETHODS Jun 1989 (v.32#6) pg. 2

Copyright reaffirmed. A summary of recent court decisions which strengthen the copyright protections afforded photographers and other artists.
PHOTOMETHODS Jul 1989 (v.32#7) pg. 2

Copyright myths and facts for the photographer.
POPULAR PHOTOGRAPHY May 1980 (v.86#5) pg. 32

It's the law. What you can and can't photograph and when you're likely to be sued.
POPULAR PHOTOGRAPHY & IMAGING Mar 2003 (v.67#3) pg. 71

Advice on "work-made-for-hire" contracts and their impact on the ownership of copyright.
PROFESSIONAL PHOTOGRAPHER #2140 Sep 1990 (v.117) pg. 48

Copy protect your images. Using a cellophane sleeve to protect a print from unauthorized duplication.
PROFESSIONAL PHOTOGRAPHER #2141 Oct 1990 (v.117) pg. 44

Copyright tools. Sampling of techniques available to the photographer to identify negatives and prints as copyrighted material.
PROFESSIONAL PHOTOGRAPHER #2141 Oct 1990 (v.117) pg. 62

Copyright. An explanation of the duration and renewal of copyright.
PROFESSIONAL PHOTOGRAPHER #2143 Dec 1990 (v.117) pg. 56

What every quilter needs to know about copyright. Covers information on videotapes, on photocopying and other methods of duplication, on writing for copyright permission, and on how to copyright your own works.
QUILTER'S NEWSLETTER MAGAZINE #234 Jul-Aug 1991 (v.22#6) pg. 20

Protecting your copyright in the digital domain.
SHUTTERBUG #285 Jun 1994 (v.23#8) pg. 136

Tips on the use of model releases and copyrights.
SUPER-8 FILMAKER Mar-Apr 1981 (v.9#2) pg. 12

Permits and permissions. Dealing with copyright issues, model releases, and government film commissions when producing a video.
VIDEOMAKER Jan 1995 (v.9#7) pg. 95

British copyright, design and moral rights as they affect woodcarvers discussed.
WOODCARVING #28 Jul-Aug 1996 pg. 60